Ireland’s Great Hunger Museum at Quinnipiac University will launch a digital database Dec. 16 containing about 1,500 articles and illustrations related to Ireland and the Great Famine, the worst demographic catastrophe of the 19th century.
The electronic library will feature pictorial newspaper items from the Great Hunger (1845-52) and will be available via the Ireland’s Great Hunger Museum website at www.ighm.org.
“Quinnipiac is providing this resource for free as an educational research tool,” said Grace Brady, executive director of the museum. “Students, scholars, historians, cultural theorists, researchers and people interested in art will benefit from this database.”
The database will be comprised of illustrated newspapers and publications including, “The Illustrated London News,” “Punch,” “The Pictorial Times” and “The Graphic.”
“Because photography was in its infancy, these illustrations were how people saw and learned about what was going on in Ireland at that time,” said Brady.
Ireland’s Great Hunger Museum acquired the volumes of the pictorial newspapers from Kennys Bookshop and Art Gallery in Galway, Ireland, where they were scanned to publishable level. Brady, Niamh O’Sullivan, professor emeritus of visual culture and curator of Ireland's Great Hunger Museum, Mary Glynn, information analytics manager at Quinnipiac, and Claire Puzarne, Brady’s executive assistant, worked on making this resource accessible to the public for over a year.
“This database provides a unique insight into the aesthetic, technical and contextual roles of pictorial newspapers in narrating and interpreting the Famine,” O’Sullivan said. “The value of the database to scholars, teachers, researchers and students, no less than the diaspora, is inestimable. The museum's commitment to Famine scholarship is imbedded in this ongoing ambitious digitization program.”
Further digitization will be done for pre-1845 and post-1852 documents in the collection.
“The master plan is to have the remaining illustrated news documents in the collection scanned and digitized, but that will take money and time,” Brady said. “The key years of 1845-52 are now available but the remaining years continue to be a work in progress.”
The museum chose Dec. 16 as the date to launch the digital database based on a Dec. 16, 1848 sketch from “The Illustrated London News” that depicted a starving family that had been dragged from its cottage and forced to spend Christmas in a hole, burrowed in the ground “like otters and snipes.”
The digital database follows October’s “Famine Folios," a symposium to celebrate the launch of the museum’s publications program which featured works by four authors who were commissioned to write essays based on various aspects of the Famine in Ireland.
“A key part of the museum’s mission is to educate people about this avoidable tragedy in Ireland’s history and the database is another way to do so,” Brady said.
Ireland’s Great Hunger Museum is home to the world's largest collection of visual art, artifacts and printed materials relating to the Irish Famine. The museum preserves, builds and presents its art collection in order to stimulate reflection, inspire imagination and advance awareness of Ireland's Great Hunger and its long aftermath on both sides of the Atlantic.
The collection focuses on the famine years from 1845-52, when blight destroyed virtually all of Ireland's potato crops for consecutive years. The crop destruction, coupled with British governmental indifference to the plight of the Irish, who at the time were part of the United Kingdom, resulted in the deaths of more than 1 million Irish men, women and children and the emigration of more than 2 million to nations around the world. This tragedy occurred even though exports of food and livestock from Ireland continued and, in some cases, actually increased during the years of the Great Hunger.
Works by noted contemporary Irish artists are featured at the museum including internationally known sculptors John Behan, Rowan Gillespie and Éamonn O'Doherty; as well as contemporary visual artists, Robert Ballagh, Alanna O'Kelly, Brian Maguire and Hughie O'Donoghue. Featured paintings include several important 19th and 20th‐century works by artists such as James Brenan, Daniel MacDonald, James Arthur O'Connor and Jack B. Yeats.
The museum is open Wednesdays 10 a.m. to 5 p.m.; Thursdays 10 a.m. to 7 p.m.; Fridays and Saturdays 10 a.m. to 5 p.m.; and Sundays 1-5 p.m. For more information, call 203-582-6500.
Quinnipiac is a private, coeducational, nonsectarian institution located 90 minutes north of New York City and two hours from Boston. The university enrolls 6,500 full-time undergraduate and 2,500 graduate students in 58 undergraduate and more than 20 graduate programs of study in its School of Business and Engineering, School of Communications, School of Education, School of Health Sciences, School of Law, Frank H. Netter MD School of Medicine, School of Nursing and College of Arts and Sciences. Quinnipiac consistently ranks among the top regional universities in the North in U.S. News & World Report’s America’s “Best Colleges” issue. The 2015 issue of U.S. News & World Report’s America’s “Best Colleges” named Quinnipiac as the top up-and-coming school with master’s programs in the Northern Region. Quinnipiac also is recognized in Princeton Review’s “The Best 379 Colleges.” The Chronicle of Higher Education has named Quinnipiac among the “Great Colleges to Work For.”
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